Zum Inhalt springen
make up PRODUCTIONS
Menü
Schließen
About
make up
Productions
News
People
Menü öffnen
Lindy Annis
Antonia Baehr
Pauline Boudry / Renate Lorenz
Carola Caggiano
Valérie Castan
Henri Fleur
Jule Flierl
Werner Hirsch
Neo Hülcker
Mirjam Junker
Latifa Laâbissi
Land
Nadia Lauro
Arantxa Martinez
Ulrike Melzwig
Andrea Neumann
Ulf Sievers
Isabell Spengler
Pia Thilmann
Steffi Weismann
William Wheeler
Henry Wilde
Ida Wilde
Productions
Menü öffnen
PERFORMANCE
CAVALIERS IMPURS (TROUBLED RIDERS)
TONTÄNZE (A SELECTION)
DIE HÖRPOSAUNE – LIVE
W WIE WOLLMÄUSE
FEUER UND FLAMME
LE CHANT DU PSYCHOPHONE
DIE BESONDERE PERÜCKE
EXIT
CONSUL AND MESHIE
MUSIC FOR DEAD ANIMALS 2a
TENTACULUS OHRI
THE GREATEST SHOW ON EARTH/ LA FORTUNADA
NORMAL DANCE
DES MISS ET DES MYSTÈRES
ABECEDARIUM BESTIARIUM
MY DOG IS MY PIANO
FOR FACES
THE WILDES
OVER THE SHOULDER
RIRE / LAUGH / LACHEN
NOM D’UNE PIPE
MERCI / THANK YOU / DANKE
LARRY PEACOCK
CAT CALENDAR
UN APRÈS-MIDI
SINGSONG
REDEN ÜBER FRAUEN
HOLDING HANDS
WITHOUT YOU, I AM NOTHING
COUNTRY BUBBLE
CONCERT FOR SOEUR SOURIRE
DOGDOC
THE MISSES AND ME
COMPOSITION
BRAO AR VUHEZ
HA-HA-HA-AH-AH-AH
TOSSED SOUNDS
RÖHRENTIER
FILM / VIDEO-ART
DIE HÖRPOSAUNE – FILM
FOR IDA
MUSIC FOR DEAD ANIMALS 1a
ANTONIA BAEHR MACHT WAS SIE WILL
SYNCPOINT
KINGS AND DISASTERS
ERIKA IN AMERIKA
DIE DAMEN VON PROSOPOPÖIE
MAXIMILIAN’S DARKROOM
EXHIBITION / OTHER
RIRE / LAUGH / LACHEN
FEUER UND FLAMME
DIE ANTWORT KOMMT
MUSIC FOR DEAD ANIMALS 1a
DA WAR ICH NOCH NIE IN MEINEM GANZEN LEBEN
THE WILDES
MAXIMILIAN’S DARKROOM
Paper, Vinyl, Radio Plays
Menü öffnen
Telepathic Tentacles Tutorial – Ural Biennale in Yekaterinburg
Son[i]a #333 – Radia Web MACBA
AND THEN THE DOORS OPENED AGAIN
ABECEDARIUM BESTIARIUM, radio feature
LEXICON FOR AN AFFECTIVE ARCHIVE
MISSES UND MYSTERIEN, radio play
A VERY WILDE STORY, the book
ABECEDARIUM BESTIARIUM, the book
RIRE / LAUGH / LACHEN, the book
RIRE / LAUGH / LACHEN, the LP
Essays and Texts
Tour Calendar
Imprint
Contact
Links
IN-PRESENTABLE, Madrid
<< zurück
100 artists and 10 days, invited by Juan Domínguez
Back to Overview